radio: bbc radio 2 (zoe ball, alan carr & mel sykes, craig charles) bbc 6music (craig charles, steve lamacq, nemone), bbc introducing bristol. jazz fm, solar radio, radio one italy, radio krimi, wncw, radio pepper greece, radio nova portugal, kane fm, radio 1 prague, khol, ibiza global radio, 1brightonfm, d-radio kultur, ckia fm quebec, wutk 90.3, radio z burenburg, fg chic, press: wpmg, stereofox, 45live, monkey boxing, fleamarketfunk, the dutch guy, kbps, life support machine do you long for a time where you could head out have a good time and dance your pants off? well the allergies invite you back to the glory days of northern soul, high kicks and throwing yourself around the floor with their new single entitled to that . it s an up tempo stomper with feel-good soul sensibilities that would be equally at home at the wigan casino as it is on today s festival circuit. following on in the same vein that made their 6 music album of the day record – as we do our thing so popular, they continue to reshape classic sounds for the modern dancefloor. talented soul songstress honey larochelle provides the sass in this peppy number co-penned with the allergies by regular collaborator andy cooper (ugly duckling). this second single taken from their forthcoming album push on shows they ve lost none of the verve that made their debut so good, and gives another taste of what to expect from the lp. they balance out the release nicely with a steady groover in the shape of get down on you – a steady funk groove with a catchy bassline and the usual signature flair touches from the guys to keep the crowds entertained.

bomb after bomb! a new my rules records original coming straight from label boss justin van der volgen. fresh off the back of his latest ep which featured peak-time versions of shit robot s lose control and felix dickinson s burning flame , this one sees him on a whole other but no less floor-filling trip. coming in regular and dub mixes, no vacancy sounds like a lost brooklyn dub-soca-reggae-house classic. the a side charges with warped machine percussion, chanting vocals, a militant rhythm section and a seriously heavy bass line. flip to the b side and check justin s impressive dub skills. stripping the track back, he maintains complete propulsive energy, all the while adding plenty of psychedelic twists sure to melt minds. expect to hear your favourite leftfield, deep-digging, big room selector dj ripping the dance all year with this.

tale & tone channels lee and hoj’s experiences exploring the world’s most sought after party destinations from the magic of hazy sunrises to the dim warehouses of underground’s past. the label acts as a bridge between the diverse environments in which dance music thrives and a showcase of the unique stories told by its sounds and devotées. the storybook ep will chart the tale & tone journey starting with a full vinyl release on july 21 and digital singles to follow. the ep begins with the mystic groove of daso and lutz’s better followed by the caribbean inspired ethereal soundscapes of cornucopia’s letter for poly. all day i dream mainstay lost desert has aligned with amari for the intricately layered, vocal driver hunter, while the revelatory soul of dance spirits wash me clean calls out to the calmer side of the electronic spectrum. the release is capped off with the late night affair of newman’s the sky and earth and in hoj’s own words on tale & tone, -lee and i are great friends and have been talking about starting a new project together for a long time

few artists can claim to have their own distinctive “musical voice”: a style of composition and production that listeners instantly recognize. for starters, it takes years of experimentation to perfect, and most people simply don’t have the patience, talent or skills to pull it off.
ali kuru is one of those rare producers whose music sounds like nothing else around. the istanbul-based artist has spent the best part of a decade honing his trademark style – a fragrant and intoxicating aural brew that combines a myriad of influences with atmospheric field recordings and snaking, mind-altering middle eastern instrumentation – via releases for the likes of luxa flex, kalisah, sound architecture and, most recently, leng.
it’s to the latter label that the publicity-shy producer returns with his most ambitious release to date, egzotik. 15 tracks and 70 minutes deep, it’s not so much a debut album as a statement of intent. from start to finish, it feels like a humid, sweat-soaked saunter through the winding streets of istanbul in the company of a musician who draws more inspiration than most from his immediate surroundings.

a record about broken dreams and lost hopes, breathing an atmosphere of harrowing gloom and disturbing bitterness. very limited batch!

opening the ep is k.a. posse aka kaay alexi, a legendary producer whose tell alexi features here, a raw, low slung acid burner with sultry vocals and tough as nail drum programming from 1989. killer stuff indeed. following that we have the jovonn blade mix of terrence parker s the lost articles jam touch me baby from 1993 - some classic detroit early proto-beatdown sounds, rough and ready and still doing damage today. on the flip is the stone cold banger flash by fix aka orlando voorn, this demented p-funk ripper never quits and is a monster! classic material. finishing things off is the mk mix of nexus 21 s still life keeps moving on , it doesn t get any bigger than this, pure heat. pretty much an all-star line up on vol. 4, a perfect release for the novice and expert alike! file under classic, all tracks encapsulate the detroit sound while retaining that raw energy and vibe that this music is famous for! heat! 100% legit, compiled with the assistance of kevin reese saunderson and the whole kms family, detroit, mi.

with the motorforce ep, pépe joins the renascence family in its fourth installment. a both tear-jerking and hot-blooded collection of music inspired by long highway drives in the spanish summer, pépe goes from lost-in-the-tarmac-jungle percussions to relentlessly emotional energy with melllow and nostalgic synths. dan white brings you deeper than the marianas trench through a light, spellbinding, dub rework under the rings around saturn moniker to top off the emotional trip that this entails.

the mysterious 13 productions crew from london have been making beats for a minute and this is their debut release on wax, featuring long-time dwg/fresh pressings collaborator emskee on mic duties.
limited to 300 copies on black 7 inch vinyl.

turkish mystery man ali kuru is fast becoming one of leng s go-to artists. since joining the label in early 2016, he s released two superb eps, with a debut album of evocative musical blends – think dub, disco, downtempo grooves, humid exotica, and authentic middle eastern instrumentation – due to drop later this spring.

since its release last year, the grammy nominated album louie vega starring…xxviii has reached unfathomable heights, after 8 single vinyl releases and two full triple set album releases, we still have one more up our sleeve. today, here we are in the third and final installment of the louie vega starring…xxviii vinyl album release series, this time taking it to another level with unreleased and lost mixes. when making an album there are usually way more than the number of songs allocated for the project. in this case there were over 50 songs and tracks created for the louie vega starring…xxviii album. vega has selected 14 unreleased and lost tracks from the recordings and put together dj friendly versions with these super talented artists involved: funkadelic, nick monaco & soul clap, kenny bobien, cindy mizelle, maphorisa, berita, wanda baloyi & kabomo (south african top talent), roberto roena (of the fania all stars), brutha basil, jesse jackson (blues rock artist), sara devine, luis salinas (argentinean guitarist), duane harden (song/hitmaker), & 3 winans brothers featuring the clark sisters. the packaging is lovely with an open gatefold huge picture of a mural painted by none other than richard wilson uk artist. mastering by the great walter coelho, for sonic perfection & pressing manufactured by optimal in germany.

leon ware s self-titled 1982 album has long been a holy grail for rare groove record collectors. indeed, mint copies are rarely found for less than £100. so be with records, a new vinyl-only reissue label, is pleased to mark its first release with ware s classic â&#128,&#147, a set that features the timeless why i came to california, a beautiful example of early 80s soul funk. a truly unsung legend, leon ware has written a stunning variety of classic soul music over the course of six decades. he joinedmotownin the late 60s and became one of the label s key writers. his most indelible contribution at motown was marvin gaye s masterpiece i want you. ware s production and songwriting memorably took gaye to another creative level. despite recording a handful of critically acclaimed solo albums for motown and elektra, including this one here, he has remained a secret to many outside the music industry. be with records hope this timely reissue goes some way to rectifying that.

this record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. to recover the magic underneath, that has never grown nor subsided and doesn’t belong to anything but itself. a love story between two music labels that found each other in this blissful journey, lossless and something happening somewhere are here to presents the next chapter in their findings. uzoamaka is an original track by king britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. nuno dos santos (sohaso) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. in an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it’s release. the original by king britt is an ode to the ritual of dance music in it’s purest form. with vocals panning across the stereo field that preach ‘sing, dance, be, free to dance’, it resonates with the primordial human playfulness, joy and expression in all of us. teasing with a melodic bassline, almost reaching twelve minutes running time, it’s a modern hymn that never fails to mesmerize and bring people’s spirit together. besides remastering the original, it gave the opportunity to invite other artists to retell the story. this time the mighty dixon gives the original track an update for modern dance floors. pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. “free to… free to… free to…” nuno dos santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. a powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. mathias schober is back under his sb alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. pushing and pulling, enhancing the entrancing effect of the musical soul.

ltd 4lp + downloadcode

sex. sorrow. synthesizers. digital romance are a french duo cast in the mould of vintage electro pop. their sound echoes those halcyon days but is firmly set with an eye on the future. vocals, from marie de berlin, are deep, inviting and rich. tracks tell of lost loves, forlorn figures hoping to find solace in the cold and calculated world we inhabit. sparkling synthwork, care of forgotten illusions, perfectly matches those breathy lyrics, catchy hooks ensnaring hearts and minds as they spiral through the dancefloor of their lives.

following the ‘frequency vs atkins – mind merge lp’ (march 2017), featuring the collaboration between orlando voorn and juan atkins, italian label out-er (out electronic recordings) welcomes long standing detroit producer terrence dixon for a 21 track triple vinyl pack ‘12.000 miles of twilight’, out in july 2017. this is dixon’s fifth album and follows his last ‘badge of honor’ released back in 2013. the legend has been putting out material since the mid -nineties. recognized worldwide for his visionary, futuristic sound, dixon unites ages of inspiration traversing diverse musical styles including electro, jazz and minimal sci-fi techno. this overall hypnotic approach can also be seen in his parallel project population one, which appeared on out-er respectively in early 2016 with two-tracker solo ‘temporary insanity ep’, as well as in late 2016 with ‘temporary insanity remixes’ which saw the label offering reinterpretations from cosmin trg, pangaea, voiski and label co-founder simone gatto. ‘12.000 miles of twilight’ remains an experimental techno asset offering a non-linear, emotionally absorbing journey into the singular experimental edge of the detroit artist, pulling the listener in all kind of directions from the opening track to the closing finale.

uk producer martin jenkins needs no introduction. under his more commonly known aliases (pye corner audio, head technician, and more), he has mystified fans with his unique brand of synthesist nostalgia with numerous releases on ghost box, more than human, and further records. for this special 12-, martin revisits his past influences and crafts his first techno record. his fine-tuned programmer and production skills blind us with these 4 tracks of stomping dance floor killers. it s a totally new thing for martin and can be best described as straight up techno utilizing the pye corner audio sound palette. dive in and get lost. that 4th track!

1985, restored from a vintage vinyl copy (masters were lost long time ago in chicago...) copies sold for 0. on the youtube thread for the track a cousin of t. woodard says they pressed 2.500 copies of this - but that seems hard to believe unless they didnt sell and got recycled at trax and/or were simply thrown out, as this rarely show up anywhere. this is a very early and simple track which sums up the new and experimental sounds of early 1985 along with tracks such as jesse sanders on & on and funkin keith funkin with the drums. basic early house music that havent lost any of its relevance.

out of nowhere, average delivers an esoteric soundtrack to exquisite label junior executive through three distinctly different cuts for your head and feet. listed as above average , haye haye is straight up disco vibes for camp fire dances under starry southern cross skies. try to sit still to this monster... on the humbly titled below average side, cold builds and builds until the mighty release finally delivers you from evil, whereas hisingen takes you on a trip to some long lost hippie island where hypnotising flutes try to persuade you to join the cult. wicked. !

todh teri announces the launch of its debut release,with a limited vinyl only edition. todh teri is the revival of the golden era in indian cinema. its the resurgence of indian disco, funk & cabaret from the 70s , 80s & 90s. deep in india vol.1 goes back to its homegrown roots and gives us three classic gems. each edit retaining its original flavor & a little something more to take to the dance floor.todh teri polishes off each track with a signature groove if its own. ten seconds into an edit and you are deep in india! in the past, todh teri has brought this style of music to berlin’s clubs like rummelsbucht & wilde renate. the act is scheduled to showcase in july at sispyhos, berlin & set for a very special live debut at wilde renate, this august. in an interview with todh teri, red bull said - indian artists have been loath to touch anything bollywood and understandably so… step in todh teri who wants to connect the lost world of indian disco with western club sounds. teri understands that most indian artists are (or were) not sure about edits, because without proper execution, they can be easily clubbed as mainstream bollywood remixes.

someone outside takes us on a journey into space with three pieces of shimmering and emotive techno. constellation opens the ep with a broken rhythm, sizzling hats and shimmering chord stabs. forbidden planet mixes driving percussion patterns with a deep pads. lost city resolves the ep with an energetic bassline and arpeggio hook.

from the man who brought you acid rant & blacid storm we have the long awaited debut acid man. the double lp features 11 monstrous acid tracks to dance or jack to all night long. comes in a picture sleeve. limited pressing.

chemical brothers iconic 2nd album from 1997 sees a well deserved 20th anniversary reissue on silver coloured double vinyl, housed in a gatefold sleeve.

50% summer blow out .... originally released in 1963 by king records. james browns remake of the 1931 popular song >prisoner of love< was his first single to enter the top 20.

on the heels of the two the other people place releases in the early 2000 s another related mini album was already in the works. it never saw the light of day due to james stinson s untimely death. finally it resurfaced on a long lost dat tape.

beautiful deep house by label boss tyson ballard. tyson has covered all grounds on his latest ep - feel like i feel. *charges* begins the experience as a slow jam with the essence of uku kuut or moon b. the title track is an euphoric journey of lost love with long time friend sheff providing hypnotic vocals and linkwood giving his master stroke on the rhodes, creating a highly charged emotionally intense atmosphere. *all night* starts gearing towards the early morning hours vibe following into *all day* which rounds out the ep with a perfect powerhouse. nice!

ltd 50% deal ...significant success for artists is based on two things: talent and timing. dave.i.d has talent by the spadeful but his timing may also be spot on. when dave.i.d released his debut single in march 09 he was probably too ahead of the game but now as we enter the last third of 2010 it feels right on the money. daves initial release went down very well though. paul lester in the guardians important new band of the day feature totally lost it, calling dave.i.d >totally brilliant< and dubbing him >aphex timbaland<. his single was voted single of the year in dazed & confused and made the end of year round-up in drowned in sound. now with the amazing zola jesus setting up so well around the world and the dark electronica coming more to the fore outside its nerd roots, dave.i.d sounds perfectly in tune with the unhappy, troubled sound of now.
bespoke packaging using industrial blue plastic cut in a rhombus shape. the same blue plastic forms the backdrop to the live stage show.

this june session victim return to delusions of grandeur imprint with their third studio album. listen to your heart is the result of a year of cross-continental scripting, started in their hamburg studio and wrapped up stateside in san francisco’s room g studios where the duo had worked on their 2014 lp see you when you get there. here we present the second of three lp samplers containing four tracks each, cut nice and loud for the vinyl crew. shadows gets things rolling with a classic session victim housey groove, looped up pads and hooky spoken vocal samples. filtered string stabs bring a warm and soulful edge whilst dub delay touches add a floaty element to get lost in. next up we have unchained which drops the bpm’s for a widescreen, slo-mo jam clouded in a smokey haze with jazzy touches, recalling the halcyon days of pork recordings. flipping over we have a brand new lp version of previous single up to rise, another sublime slice of blissed-out house music with a wonderful organic and live sound palette. echoing rhodes licks join the lead guitar tune for a balearic beauty which will be stuck in your head long after the sun sets. closing this second sampler we have over and over, which winds things down somewhat for an inspired, bass-led roller. an impeccable demonstration of retro-inspired yet forward thinking house and downtempo music, listen to your heart sees session victim at the top of their game.

the powerdancers also known as the legion of boogie down have slowly begun to infiltrate the discos firing their brain gun in all different directions. from their opening gambit, the self titled power dance, to the bohannon like groove of muscle groove, to the enticing left field party anthem that is safe and happy place. the lost art of getting down is the main feature. the powerdancers take all that they have learned and invite you to come and have one massive get down, from future funk, to acid house, to disco, the legion of boogie down cover it all with one main message, dance and let go. this is a world where there is nothing but music and dancing. long live the legion of boogie down

before coming back in september for a new year of new releases, lddlm gives you their current mood and state of affairs in the form of a sampler 12inch grieve not, but try again. luke abbot s mix of easters champagne has been in our drawers since the very early days of the label but still shines as new. no dust gathered. easters synth pop is turned into a slow, yet nor chugging, futuristic r n b number. this is our conception of sunrise music. tom of england grasps the metallic fury of mutado pintado s classic lazy boy and chops it in a grinder. decomposition / re-composition with of high industrial standard. a scene from a future, a from-a-lost-tape edit by our underbuy manfredas has been one of our biggest club tracks for the last year. check his recent boiler room ending to know how warped yet strangely hit-like it is. finally, cowboy rhythmbox decided of their own accord to do a club edit of golden bugs physical disco. we liked it, we release it. simple and effective. jugular attack

all day i dream invites a few new names to the labels summer sampler season. alongside a few familiar ones too like lee burridge and lost desert with their much anticipated ‘absent without thoughts’. gab rhome and superlounge keeping it groovy. new music from new artists include budakid, phck and zone+, each one a unique flavor in dreamland.

timothy j. fairplay is revisiting hoga nord rekords to release the 12inch ep mindfighter: photosensitive electronic music from one of the pillars of the modern meaningful dance music scene. together with scott frasier, t.j.f. is running the record label crimes of the future and he is also known as one half of the asphodells together with andrew weatherall. this is his second release on hoga nord rekords and his first ep on the label.

the 12th installment in the falling ethics series is an adventurous piece of work. tensal and p.e.a.r.l. team up on this split ep to showcase their production styles which are mainly built around crafty drum loops and buoyant synth experiments.
tensal takes care of the a-side where he takes care of one flaming techno cut for the dancefloor which is followed up by two adventurous pieces of electronica.
p.e.a.r.l. also took care of three cuts on the b-side. the opening track “joy of rapture” is a straight forward demonstration of machine heavy techno. “fall before you” is a deep and soul wrenching cut that showcases p.e.a.r.l.’s more delicate side. “red flame” is a piece of horror reminiscent ambient.

a selection of forgotten demos by band hymn, active 1981-1984, with multi-talented musician and post-punk pioneer lucas trouble (†2016) in the lineup. dition of 400 numbered copies. hand stamped sleeve. includes insert with photos, artwork and liner notes. all the tracks were originally self-released as demo tapes in a very limited run. their first work, coming home, was published in 1983, and the second one, too many lies, in 1984. both of them were distributed by the band themselves. shortly after, they released a more widely known 12” ep, tired (nova express, 1984), with a different line-up and noticeably more rock-oriented. definers of a totally genuine sound, hymn were coevals to the underground-synth-post-punk movement that surfaced in france in the early eighties, easily recognisable today via cult labels such as bain total and invisible/scopa records, with stunning releases by experimental references like ilitch, philippe doray or incontinents.

the brooklyn sessions bring together old and new pinkman friends. annanan returns, this time with maroje t, for three pieces of ny darkness. acid tainted torment opens the 12inch, pain and rejection catalogued in the barren confrontations in terms of sexuality. i saw you maintains that cold edge. militaristic percussion is dipped in industrial grease, lost samples circling in a haze of distortion. the pair explore reduction with tracks being boiled down to leave only distilled dread behind. the breathy vocals of i am close, drum patterns looped into machine groan and the aching abyss.

working with technical limitations, metro skim masters the art of omission showing that what can be left out is just as important as what is included. momentum is achieved with ticking 909 hi-hats and grumbling basslines before being thrown into whole tracks of beat-less techno sequences.

brian kage returns on michigander with the, best kept secret ep. kage once again provides three deeply emotional dance tracks filled with his signature warmth that immediately draw connections between personal memories and michigan’s natural splendor. best kept secret starts the record off with tones of hypnotic bells that cascade down from within minor chords that hypnotize the listener until they are met with swelling strings to tie the infectious grooves to intelligent vintage percussion. lush vocals continue building into an atmosphere of nostalgia and eventually gives way to that moment of intimacy that can only be felt outdoors while exploring with a person they love. lost on old free-soil road features a detuned analog synth-line that winds up and down over a bed of spooky night-time forest field-recordings which are encompassed by a jackin’ 909 beat . suddenly, juno stabs straight from the 80’s pierce through sending the syncopated grooves back the direction they came from taking dancers along for the joyful ride. cruise control on us-31 rounds out the record with an infectious blend of pitched wooden toms, warm mid-range bass, deep 303 lines, and a smoky pad straight from a vintage rhodes. all these elements help keep the composition positive & relaxing, while expertly conjuring the feeling of sun on your face. this tune is the perfect tool for any dj interested in luring day-partiers to a space where they can’t resist bobbing their heads and enjoying their summer outside. related items

for its fourth release under its main series, quanta records welcomes panorama island, zwei kreise’s new album, mixing ambient, idm and sonic experimentations. with panorama island, zwei kreise delivers one of his most accomplished work so far, inspired by memory and more precisely its flaws: hidden corners, lost knowledge or elliptic recollections.
melancholic ambient tracks and deconstructed breaks come one after the other and set the mood of the person who dives in. melodies play a very important role in these introspections: meticulously planned, sharp or languishing, they guide the listener through his wandering. in this record, zwei kreise shows his obsession for detail and micro-variations under a new light, more ethereal and contemplative, renewing our perceptions with every listening.

a few years ago we received an anonymous email with a link to three tracks and a simple message: “hi, maybe you would be interested in this music.” it’s easy to be skeptical of yet another link from yet another artist in a world overcrowded with them, but listening is our job and so we do it. the songs were instantly striking: extraordinarily slow, somber, and spacious, each vaulted cathedral chord reverberating poetically into the distance, the melodies rolling out like fog across a cemetery. captivated, we requested more, receiving a single word in response: “yes.” then, nothing. eventually, three months later, we received another email with slightly more information: a name (irma orm), a location (stockholm), and a bit of context (she worked alone, and progress on music was slow but steady).
fast-forward to mid-2016: we’re informed the album is complete, and it is breathtaking. hermetic gothic swan songs conjured from funereal piano, twilit ambience, minimalist percussion, and spellbinding vocals. the mood is lulling and lush but lost in sorrow, stark grey structures looming in the night. majestic open spaces between notes heighten the melancholic grandeur of orm’s arrangements, blurring the line between lament and lullaby. the songs less end than ebb away, succumbing to their own downcast beauty.

banoffee pies return with the second in their beats series. another record featuring friends and family with label members slim. and simiah both dropping 4 sample heavy cuts, more original vocal work from the blossoming merryn jeann, and local bristol talent with a beat maker named crate head and rodn3y. mesmerizing melodies pull this rolling beat tape together with another 12 track selection of dusty head nods for your listening pleasure from a to b. a new journey for the banoffee pies camp that continues to push and collaborate musical boundaries in all directions. for the music and lovers. living room jams made in smoke. banoffee xx

welcome to mateo & matos under their acronym of raw elements. raw basics is the first of two re-issue which will be released on flash forward licensed from final cut records! timeless classic deep house with strong bassline, with hypnotizing ghetto vibes & jackin fluids from the yorker duo that fear no dancefloor!

limited 100 numbered copies - marbled vinyl welcome to mateo & matos under their acronym of raw elements. raw basics is the first of two re-issue which will be released on flash forward licensed from final cut records! timeless classic deep house with strong bassline, with hypnotizing ghetto vibes & jackin fluids from the yorker duo that fear no dancefloor!

with just one 7inch release to their name in the form of the 1981 release, jive baby on a saturday night, the cult of the jellies was possibly accidentally assured with the long lost song being rediscovered by collectors and championed by sonic youth s thurston moore no less. picked up and reissued by the stellar trunk records in 2010, the b-side cut, however, was sadly overlooked. now emotional rescue are proud to license the conversation and remaster it especially for this rerelease. based around a simple drum and bass rhythm, interspersed with crowd noise, playful female vocal yelps and sprinkled with dub effects thrown in to the mix and you wouldn t probably think too much would be going for a track that the band put together in the last two hours of their studio time after jive baby had been completed. however, what you get is a killer gem of pop-punk-dub oddness that gets your head nodding to its infectious, repetitive rhythm laden with effects. with just this one (perfect) track available for license it seemed only right to hand it over to the in-house production team, apophenia, to do their increasingly trademark dubbed out reworking, this time in the form of a true, but respectful version for the flip. with both members of the jellies sadly now living overseas this piece of early 80s british dub as it were, can now be fully treasured for posterity while also, proving a nice little smokers delight.

night tide founder eluize returns to the label with her follow up to last year’s debut release talk in technicolour. her latest five track sonic trip for the forgetful follows 24 hours searching to be lost, finding comfort in the dance floor, time spent after hours and the day that follows. it seeks out soaring highs and sweeping lows covering all energies.

12inch with transparent sleeve, 180g vinyl the press groups new issue is a tale of lost love and broken hearts. blaine mcconchie is a con-stantly evolving minimal-heyday-inspired trip through bleeping artifacts driven by an organ chord, while on the flipside dog park is a classic groover for lush summer evenings. on b2 frankfurts phil evans gives blaine mcconchie his treatment taking the central melody and building a sparse rhythm workout around it

having established himself as a vital figure in the brussels music scene, biologic records co-founder dc salas presents his debut album the unspoken. the 10-track lp features collaborations with fellow belgian electropop duo joy wellboy and mirror minds. after a string of dancefloor oriented eps, he draws inspiration from his live act and diverts away from the club to explore the more melodic aspects of his sound.

rotur presents daydreaming two / 33 rpm (vinyl only) with mihai pol & robi (ro), ghini-b (fr), andrea caioni (it), fusal (de).

i m a cliche provides the 3rd chapter of its edit service special delivery. this new 12- features 4 edits by moscovian dj and producer grisha nelyubin, also part of the odopt project, under his new moniker blind rape. using unexpected material, from percussive brazilian obscurities to lost french 80s tapes, ex-yugoslavian ebm or early 70s heavy krautrock, nelyubin delivers 4 powerful dancefloor friendly edits which already show a very personal touch.

leeds producer tom vr is next up on seb wildbloods new imprint all my thoughts.

third ep from this great new label from freerotation festival organiser and modular synth expert steevio features excellent remix from label owners cleer consortium